剧情简介
康沃尔(🍅)渔村(👷)的(de )风景(jǐng )明信(🐽)片(🥇)田园诗误导了人们。虽(😘)然(rán )过(🕸)去钓(🔱)鱼(yú )是一种养家(🔧)糊口(🎹)的方式，但如今(jīn )(🔬)富有(yǒu )的伦敦游客纷纷下山，取(qǔ )代了当(dāng )地人(📼)，当地人的生计(🔸)因(👑)此受到威胁。史(shǐ )蒂文和(hé )(💆)马丁兄弟的关系也(yě )很紧张(📞)。马丁(dīng )是一个没有船的(de )渔夫，因(🥀)为史蒂文(🐖)开始(shǐ )用(yòng )(💞)它(tā )来为一整天的游客提供更赚钱的旅游。他们(🌑)卖(🎛)掉了(le )这座家庭(tíng )(🗞)别(bié )墅(shù )，现在看来，最(🤸)后一场战斗是(🙉)和新主人在海(🍄)边的(de )停(tíng )(🤷)车(chē )位(wèi )上展(zhǎn )(🚻)开(🤲)。然而，情(qíng )况很快就失控了(le )，而不(🧣)仅仅是因为车(🗳)轮夹钳。 (💔)Bait是一种黑白，手工(gōng )(➡)制作，16毫米胶片(piàn )(🃏)制作(💅)的电(🚶)影。许多关于鱼、网、龙(lóng )虾、长靴、绳(shéng )结和渔篮的特写镜(jìng )头让人想起(qǐ )了(le )蒙太奇(qí )景点的理论。对(👄)不同社会阶层(céng )的(🚡)描述—(⏳)—可以说(shuō )是阶级关系——也让人(rén )想(🐂)起了英国(guó )电影中(zhōng )的社会现(xiàn )(🕺)实(💑)主(🎴)义(😉)传统。然而，最重要的(🧥)是，在影像中不同层次的(🚪)电(diàn )影(yǐng )(🐱)历史参考文献(⛅)之下(xià )，当(dāng )前(qián )许多政治关(🎞)联正在(🐇)等待(👆)被发(fā )现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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