前(qián )身是(shì )皇軍軍港的吳港,戰後成(🏽)為船塢工人(🃏)的生(shēng )活(huó )(🕟)煉獄。在資(zī )本家剝削和枯燥生活的雙重(🍖)煎熬(🏴)下,躁動的年輕(📿)生命,一頭栽進暴力(lì )漩(📼)渦,延(🖲)擱成長(🕔),終日在打鬥(dòu )、賭博、酗酒(💆)中尋找(zhǎo )暫時(shí )的(🏐)麻醉。吉(🛺)田(📞)喜重通(tōng )過工(😚)頭(🍮)之(✖)眼(🙁),對不合理(lǐ )的社(shè )(🕕)會現實作出欲(yù )(💞)迎還拒的批判,被視為(wéi )日本(🛑)新浪潮代表作之(zhī )(🦗)一。香山美子(zǐ )飾演純真(📙)的(🔝)酒(✋)館女待(dài )(🙌),同情工人卻慘被強姦,正(zhèng )與負的能量(liàng ),在大時代中(zhōng )比拼互(hù )滲,可(kě )有超(chāo )越(🥕)對與錯,是與非的位置?片(🤘)末火車站(zhàn )送別一場,在家和社會(huì )(🦇)之間,吉(jí )(🏻)田喜重作出了(🥋)左(🤷)翼的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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