一直(🕕)作為米路斯.科曼(màn )劇(jù )本鐵(tiě )三角(另一位是帕(😘)培錫,也是本片(piàn )編劇之一)成(chéng )員的艾雲.巴薩,當然也走低度戲劇(jù )路線。同是音樂家(📼)的彼德(dé )與卡洛老友重(chóng )(🎩)逢,生(🛍)活狀(zhuàng )況大(👁)不同,你有(yǒu )伴(bàn )侶我有家庭,然而都有說不(bú )出的(✖)不明(😻)朗,唯(wéi )有以(yǐ )酒與音(😱)樂代(dài )替口水。全片推(tuī )展不問目的,只在剎那(🖲)間(🔢)的(de )意圖,行行企企(🥎)比起科曼(màn )更(📙)義(🔝)無反(fǎn )顧,卻有生(shēng )活淡如(rú )(👓)流(🙀)水(🙉)的詩意(yì )和繆思,叫觀眾聯想到二(🤲)十年(⛳)後(😍)的(de )(💠)伊力.(🏯)盧馬(🎋)。巴薩鍾愛音樂的(⚾)程度不下於文字和電影,古典(diǎn )音(yīn )樂(lè )與(yǔ )(💍)民間音樂於(🈸)全片迴轉迴盪,難怪成了奇斯(sī )洛(luò )夫斯基(jī )十大心愛電影之一(yī )(🐡)。 (🤔) (🔍) 康城影(📛)展青年評(píng )審(🥤)團獎,美國全(🐞)國(🍽)影評人協會特別獎(jiǎng ) (🌱) 這(zhè )(🖍)部1966年的(de )珍品,是(🍁)捷克(kè )新浪潮短暫生(shēng )命中最佳作品之一(🧘)。成(chéng )名音樂家到小鎮探(🚤)訪(🚩)舊同學,舊(jiù )(💁)同(tóng )學是個窮(👅)音樂教師,有時在(zài )喪禮上(shàng )吹奏樂曲。平(⛅)凡的素材在巴(🛃)素手裡,變(biàn )出風趣復(fù )罕見(🏗)的旋(🗒)律(🏆),一(🌒)部憂鬱(yù )的喜劇,或灰色(👔)喜劇(jù )。 (🦐) (🏁)- Dave Kehr, Chicago Reader (🔂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (⛲) Special Award, National Society of Film Critics Awards (😡)Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🥙)Source HKIFF Czech New Wave 2006
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